Events During Our Hiatus

We’ve been quiet for a little while, but never fear! Dangerous To Know is bubbling away in the background, gradually brewing up our next theatrical offering. In the meantime, however, Caroline has being enjoying involvement in a number of other Northern projects that we’d encourage you all to get behind.

  1. Northern Rep’s A Midsummer Night’s Dream

Rep is back in Manchester after half a century, and this particular company pulls no punches with its inaugural production. This thrilling re-imagining of Shakespeare’s classic fairy-filled-fantasy is unlike anything else. For a taster of what lies in store, take a peak at this write-up in the Manchester Evening News. It’s running in the Great Northern Warehouse for another fortnight, so there’s still time to snap up a ticket if you’re quick.

BOOK FOR A MIDSUMMER NIGHT’S DREAM HERE

 

  1. Jane Eyre at Haddon Hall

A location for the stunning 2011 Jane Eyre starring Michael Fassbender, Haddon Hall is a grand and glorious property near Bakewell in Derbyshire. This summer, the hall is playing host to a wonderful promenade theatre adaptation of Charlotte Brontë’s novel, and Caroline is thrilled to be playing Jane on 20th, 21st and 22nd June 2017! These performances are preceded by a glass of Prosecco per person, and the evening is rounded off with a gorgeous three-course meal.

BOOK FOR JANE EYRE HERE

 

  1. Exploring the Brontës

Caroline will continue her collaboration with poet and fellow Brontë enthusiast Simon Zonenblick of Caterpillar Poetry with evening events later in the year. In equal parts an enlightening talk on the area’s connections with the Brontë family and a lively reading of extracts of the family’s work, followed by an intimate theatrical performance entitled The Cold Plunge, Caroline and Simon will be joining forces with local artists and musicians in various locations throughout the North. Keep checking our website, or follow us on Twitter or Facebook for further information about the next event.

 

Events During Our Hiatus

Shirley Readings – September 2016

To quote the great American composer Leonard Bernstein:

To achieve great things, two things are needed; a plan, and not quite enough time.

We gave ourselves only three days to prepare the first ever stage adaptation of Charlotte Brontë’s Shirley to be performed script-in-hand to audiences at the Lass O’Gowrie in Manchester and the Parish Church of Saint Mary the Virgin in Woodkirk, Leeds (as part of the Morley Arts Festival), and, even then – due to prior commitments and a last-minute recast – we were missing a third of the company for our first rehearsal!

Three days may seem a reasonable amount of time to rehearse for a reading, but given the length and complexity of the text (still a lot to get to grips with even having been whittled down from Charlotte’s hefty and dense work!), our approach of editing as we went, the necessity of working out travel logistics and other technicalities, AND the influence of DTK’s characteristic attention to detail, we were flying by the seats of our pants and no mistake!

The result was extremely rewarding. Wonderful moments of great depth, pathos and comedy were discovered on the fly, sometimes even during the performances themselves. The performers often played by instinct, lending everything a fresh and energetic feel. Director Helen Parry prioritised perfectly, knowing which moments to guide and shape, and understanding which would fall into place “on the night”. I must say that I absolutely cannot imagine how everything would have come together without Helen’s intuitive and discerning direction!

We were lucky enough to play to two very different but equally excellent audiences. The lovely intimate space above the Lass O’Gowrie pub felt full – but not uncomfortably so – and the concentration of the attendees was palpable. The room seemed to buzz! In the larger space at St Mary’s the next day there was a fantastic sense of community and support, and the comedic moments in the text were bolstered by some really rewarding laugh-out-loud responses! I’d really like to take a moment to thank Vicky – the manager at the Lass O’Gowrie who opened the space to us so enthusiastically, Ella Wild, who arranged the slot in the Morley Arts Festival for us, and the vicar at Saint Mary’s, Rev’d Sharon Wilkinson, and her team for making us feel really at home and providing the beautiful venue. The most disappointing thing about the evening was that – as the performance had run over very slightly – the company had to absolutely leg it for the exits after the “curtain call” and summing-up, randomly shaking hands and shouting thanks as we went. Having travelled in from all over – Todmorden, Macclesfield, Salford, Didsbury, Wigan, et al – many cast members were banking on catching the last trains of the day and were likely to be stranded! Luckily everyone made it on time, but that regrettably meant cutting very interesting conversations short. With any luck, we might welcome some returning audience members to the next incarnation of the piece (watch this space!) and find ourselves with a little more time to discuss everything!

shirley-cast
The hard-working cast of Shirley

DTK’s involvement in the Morley Arts Festival is far from complete, however. On 8th October, the company’s founder and resident playwright Caroline Lamb will join local poet and fellow Brontë enthusiast Simon Zonenblick at Morley Library to deliver an event entitled Exploring the Brontës; an evening consisting of readings of work and letters by the famous literary family itself as well as pieces inspired by them. For more details and to book, simply follow the link below:

EXPLORING THE BRONTËS

All in all, the positive responses over the last few days have really helped us to feel like we’ve hit the ground running, so do watch out for future updates about Shirley and other projects!

Shirley Readings – September 2016

Book now for Shirley!

Shirley image 2

Grab your tickets for the first ever airing of our new production – Shirley – while you can, as numbers are limited!

AVAILABLE HERE

Shirley is an unapologetic, all-guns-blazing conception of Charlotte Brontë’s 1849 novel of the same name.

Set during the perfect storm of British workforce rebellion and violent international unrest, the piece reveals that the politics of work, war and love will not change while we are short of powerful, unified and positive calls to action. An eerie pre-echo of the UK’s current zeitgeist, this adaptation moulds Brontë’s hyperactive, multilinear plot into a slick, eloquent but vociferous appeal for reason and alliance.

This performance will be script in hand – the perfect opportunity to see Dangerous To Know’s latest work-in-progress!

DATE: 27/09/2016

TIME: Doors @ 7 to begin at 7.30

The Parish Church of Saint Mary the Virgin, Woodkirk, Dewsbury Rd, Leeds WF12 7JL

St Mary's

Book now for Shirley!

Big News! Casting call for Shirley reading

After our wonderful success with The Dissolution of Percy, at the end of last year, we thought we’d get cracking with a second Brontë-themed piece; this time, a stage adaptation of Charlotte’s Shirley (something we certainly haven’t seen before!) So we’re putting out a casting call! It’s a tricky piece to cast, as you’ll see below.

A public reading of the script will take place on 27th September at 7:00pm (for a 7:30pm start) during Morley Arts Festival between Dewsbury and Leeds (St Mary the Virgin Parish Church – WF12 7JL). Travel expenses will be covered, and unless otherwise requested, cast members will be recalled for any major future production of the piece, for which we would ensure they would be fully paid. We are hoping to cast at least one individual who holds a full licence and owns a car to lessen transport costs. Fuel costs will be reimbursed.

The company will work to accommodate all cast members’ availability regarding the few rehearsals we’ll need. Auditions and rehearsals will be held in Manchester.

Cast (including multi-rolling)

Male 1: Multi-roler, 40s-50s. Must be able to adapt body-language to suit three different characters. Accents: West Yorkshire, subtle RP and comical upper-class.
Roles
Rev Helstone: Caroline’s paternal uncle. Firm and unbending.
Michael Barraclough: A local down-and-out. Struggling to retain his grip on reality. An ex-worker from Hollow’s Mill.
Mr Sympson: Shirley’s uncle and father of her young cousin. Louis’ employer. Outspoken and affluent.

Male 2: Non-multi-roler, 30s. Tall. Must be able to speak with a Belgian accent. Will accept either Belgian actor or English actor with an excellent grasp of the accent.
Role
Robert Moore: A half-English, half-Belgian mill owner. On his last chance to prove himself after the French revolution laid waste to his inherited family business. Works hard to maintain a cold, officious front, but secretly too gentle to be a hard-nosed businessman. In love with Caroline Helstone but afraid that he cannot afford to support a family.

Male 3: Multi-roler. Mid-late 20s. Must be physically and vocally versatile, able to differentiate between two characters both visually and audibly.
Roles
Joe Scott: Hardworking and passionate mill-hand. Once loyal to his master, Robert Moore, but slowly becoming more enamoured with the prospect of a peaceful uprising. Yorkshire accent.
Louis Moore: Robert’s younger brother, raised in England. An undervalued tutor. RP accent. Downtrodden but not without a wickedly dry and charming sense of humour.
Female 1: Non-multi-roler. Early to mid 20s. Small build. RP or subtle Northern accent.
Caroline Helstone: Resourceful and intelligent. Ambitious against the will of her uncle. Repressed. In love with Robert Moore and frustrated by his aloofness. Strong in spirit but not in body.

Female 2: Multi-roler. 40s-50s. Must be highly versatile both physically and in voice as one role must be believed to be a little older than the others. Must be able to speak with Belgian and Yorkshire accents.

Roles

Hortense Moore (early 40s): Robert’s older sister and Caroline Helstone’s governess. Half-English, half-Belgian. A straight-faced, dry sense of humour. Extremely brave, protective and self-sufficient. Belgian accent.

Mrs Pryor (late 40s, early 50s): Shirley’s governess. Quietly spoken and secretive. Capable of a great deal of love that must be suppressed. RP or subtle Yorkshire accent.
Mrs Barraclough (40s): Wife of Michael. Extremely poor but extremely enterprising. Bitter and intelligent. (Can be younger and multi-role with actor playing Shirley.) Yorkshire accent.

 

Please send headshot and CV or Spotlight link to dtkmanchester@gmail.com!

Big News! Casting call for Shirley reading

Latest Activities

Thank you for your patience, everyone!

We’ve had a lot to get on with throughout the first few months of 2016, including moving base (we’re still in Greater Manchester), but discussions are still ongoing regarding the future of our latest piece, The Dissolution of Percy, along with other possible future activities, so please do keep your eyes peeled!

As a rather belated start to the year, Caroline recently travelled up to Cumbria to deliver one of her talks in the place where she grew up, Sedbergh – a town steeped in history, nestled amongst the Howgill fells, perched on the Yorkshire border.

The talk was extremely well-attended and received by members of the Sedbergh Literary Trust, there was a fantastic spread of refreshments laid out and the evening was thoroughly enjoyable. Some fascinating discussions were had after the reading also, especially surrounding events at the Clergy Daughters School in relatively-nearby Cowan Bridge, where the Brontë sisters were schooled, and where the two eldest, Maria and Elizabeth, contracted the tuberculosis that would very shortly end their young lives.

Interesting theories were covered surrounding the presence of the Brontës in the area, including the possibility that some of the ideas for their books, including the concept of a foundling child introduced in Emily’s Wuthering Heights, may have been products of the local rumour-mill during the brief time they lived in Cowan Bridge. A story that echoes that of Heathcliff’s discovery on the streets of Liverpool was at that time doing the rounds of nearby Dent village, and may have reached the ears of the then-eight-year-old Emily and remained with her for the rest of her life.

It was fantastic to begin to get the ball rolling once more, and we look forward to seeing what the rest of 2016 will bring!

Keep checking back for more updates.

Latest Activities

International Women’s Day

Happy International Women’s Day!

We were hoping to find the perfect Brontë quote to mark the occasion, but our friends at the Brontë Parsonage Museum beat us to it!

Here we are:

Women feel just as men feel; they need exercise for their faculties, and a field for their efforts, as much as their brothers do; they suffer from too rigid a restraint, to absolute a stagnation, precisely as men would suffer; and it is narrow-minded in their more privileged fellow-creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags.

Jayne Eyre by Charlotte Brontë, 1847

International Women’s Day

2015 in review

Tomorrow is New Years’ Eve, and will mark the end of Dangerous To Know’s first full year as a company.

It’s been a blast so far, seeing us launch our first full-length funded production, enjoy five-star reviews and make new and exciting connections that will no doubt blossom further in 2016.

Keep an eye on this site for news of things to come, and, just because we’re sentimental like that, we’ll leave you with our annual blog report.

If you’re interested in working with us next year, just email dtkmanchester@gmail.com and introduce yourself.

Happy New Year!

An excerpt of the report:

A San Francisco cable car holds 60 people. This blog was viewed about 3,200 times in 2015. If it were a cable car, it would take about 53 trips to carry that many people.

Click here to see the complete report.

2015 in review