Theft of a Girl

They say there’s no rest for the wicked. We’re still not sure of the crimes Caroline Lamb, Elka Lee Green and Helen Parry have committed, but only a couple of days after zipping back down the motorway following our production of Shirley in the Yorkshire Dales, they were setting to work on another intense project! Luckily for them, it was a pretty fantastic one.

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Picture © Jason Lock Photography +44 (0) 7889 152747 +44 (0) 161 431 4012 info@jasonlock.co.uk http://www.jasonlock.co.uk

The seeds were sown for Theft of a Girl a few months back, when we were awarded a commission from Creative Industries Trafford, who had struck up a partnership with the National Trust‘s exciting new venture known as “Trust New Art” – a branch of the charity that forms bridges between independent artists and National Trust places. Their upcoming project was Live at Lyme, and they were looking for artists and performers to create pieces inspired by the Regency period that would be shown around the beautiful and expansive Lyme Park estate in Cheshire – and within the walls of the grand house that presides over its grounds – throughout September.

The story of Ellen Turner – a schoolgirl from a wealthy family who was kidnapped and duped into marrying a much older man under false pretences – immediately sprung out at writer Caroline, and she composed a simple, atmospheric monologue to be performed in the nursery of the house, accompanied by a stop motion video. Once the commission was secured, Caroline and filmmaker Morag Hickman set out to Lyme Park armed with thirteen-inch artists’ mannequins painted in matte black and adorned with a variety of hats, and a delicate poseable doll in regency dress to painstakingly craft a film over two days.

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Picture © Jason Lock Photography +44 (0) 7889 152747 +44 (0) 161 431 4012 info@jasonlock.co.uk http://www.jasonlock.co.uk

The film completed and beautifully edited by Morag (who incidentally makes stunning jewellery too!), the project was put on hold while we staged ShirleyCaroline, Elka and Helen then regrouped to prepare the monologue.

On the weekend of the performances, the weather was beautiful and the trip to lovely Disley by train was swift. Lyme Park looked regal in the morning light, but we had little chance to wander around – Elka was straight into costume, and we hurried to the nursery for the first performance at 11.30am. Three more performances followed that day, and four the next. The room was packed, with audience members huddling up on the little iron-framed bed and clustering around the fireplace at the back. There was a hushed buzz in the nursery, which was thrilling.

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Picture © Jason Lock Photography +44 (0) 7889 152747 +44 (0) 161 431 4012 info@jasonlock.co.uk http://www.jasonlock.co.uk

We experience lovely feedback, and truly enjoyed our experience with Creative Industries Trafford and the National Trust. If “Trust New Art” can afford creatives like us the opportunity to work in places steeped in such rich and intriguing history as Lyme, and continue to introduce new audiences to theatre and art, then we hope the scheme goes on for many years!


Theft of a Girl

After Shirley

Tackling some pretty massive challenges in a very tight timeframe appears to be a habit of ours! Shirley may just have been our most ambitious project yet.

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Shirley – the first ever performance adaptation of the Charlotte Brontë novel – has been in the company’s repertoire since we presented a very successful reading of it at the Morley Arts Festival last year – but this time was different. We’d been invited by Carol Nelson of Farfield Mill in the picturesque village of Sedbergh, Cumbria, to bring it to the wonderful industrial-base-turned-arts centre in the form of a promenade. The action would be woven throughout the building; around looms, underneath the building itself in the turbine room and even spread along the walkways leading up to the entrance – so, over an intense few months, the original piece was adapted to fit the new formula and the actors, director and stage manager set to work, creating a whole new show! The themes connected the tribulations of the “Luddites”, and their employers during the industrial revolution, with the general populace of the UK today.

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Sam Redway as Joe Scott in the turbine room at Farfield Mill

In the piece, struggling to compete in the market with all trade frozen by the Napoleonic war, half-Belgian Robert Moore sets about automating his mill in readiness. Already dogged by others’ xenophobia and suspicion, his swift replacement of trained millworkers with modern machinery is quickly making him the most hated man in Stillborough. Even the loving efforts of his sister’s pupil, Caroline, and his unusual new landlady, Shirley, may fail to rescue him from assassination – as his machinery is vandalised and strange men stalk him in the shadows.

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Caroline Lamb as Shirley and Mark Roberts as Robert Moore in the Dover Gallery

Tapping into the history of Farfield really made the place come alive for us. Over just two days, we enjoyed performing the piece five times to lovely audiences, and received great feedback. Audience comments included:

“It was very professional and authentic. The cast captured the sense of the time and portrayed it beautifully.”

“Acting and entire performance wonderful. Felt myself transported back in time.”

“It was original, deftly adapted, excellent use of space and actors’ adaptability to character. Altogether a surprising, engaging production.”

“Very moving. It was superb in every respect.”

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Jo Gerard as Mrs Barraclough at the mill entrance

We want to express our hearty thanks to all who attended and supported us, as well as the officials at the Yorkshire Dales Sustainable Development Fund and the Sedbergh & District Charitable Incorporated Organisation Community Fund for their generosity, and the staff, board and volunteers of Farfield Mill for their wonderful help. Big plans are afoot for Shirley, so watch this space! You can also follow us on Facebook via www.facebook.com/DangerousToKnow or on Twitter via @DTKManc.


After Shirley

Shirley Programme

Take a look at the lovely programme for our presentation of Charlotte Brontë’s Shirley at Farfield Mill in Sedbergh, Cumbria!

It’s the first time ever that the novel has been adapted for performance – so we really are making history! See the full cast and crew for this unprecedented production in order of appearance below:

 

  Seán Fitton

Michael Barraclough / Reverend Helstone / Mr Sympson

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An award winning child actor, Seán returned to the theatre later in life after a short thirty year break.  Shirley is his second project with Dangerous To Know and he is very pleased and proud to be back with the team.  He particularly enjoys learning about the historical context and feminist politics of DTK’s shows, and the challenge of playing multiple roles convincingly.

In addition to professional acting work, Seán is also a mature student at Salford University – studying for a BA in Theatre and Performance Practice – an author and an occasional musician.

 

Jo Gerard

Mrs Barraclough / Hortense / Mrs Pryor

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Jo lives in Todmorden, West Yorkshire.  She trained at the Arden School of Theatre, Manchester.

Her theatre credits include work with Northern Broadsides, Dark Horse Theatre and  Manchester 24/7 festival. She has appeared on screen in Emmerdale, The Royal Today and Victoria Wood’s That Day We Sang, and also has a couple of commercials under her belt.

A Jazz vocalist, music teacher and lover of yoga, Jo was involved in the original rehearsed reading of Caroline Lamb’s adaptation of Shirley last year and is delighted to be performing it at Farfield Mill this year. 

 

Mark Roberts

Robert Moore

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Mark trained at the Arts Educational School of Acting in London. He is native to the Peak District in Derbyshire and is now based in Manchester. As an Actor and Theatre Maker he regularly works on new writing and rehearsed readings.

He is an associate artist with the Babbling Vagabonds Theatre Company.

Recent stage credits include Freddy Frith in Derby Live & Babbling Vagabonds’ Captain Sprout and the Christmas Pirates, Detective Caminada for Pagelight Productions’ A Very Victorian ScandalSam Philips in Rock and Roll Productions’ Memphis SonMartin in Blind Faith’s Fool for Love, Mr Hardcastle & Luther Gascoigne in The Library Theatre Company’s Playing Up North, Jacob Grimm in the Babbling Vagabonds’ The Brothers Grimm, Will Derby in Cotton Grass Theatre’s Thin Air and Bottom, Oberon & Demetrius in Sheffield Crucible’s A Midsummer Night’s Dream – Behind the CurtainRecent film roles have included DCI Anthony Roberts for Green Pen Productions’ Bad Blood and Sheep Dawg in Lesta-Botheration’s 8Acre.

He is pleased to be working with Dangerous To Know for the first time on what has been a fascinating production to be in.

 

Elka Lee Green

Caroline Helstone

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Elka graduated from the Academy of Live and Recorded Arts North in 2014. Some of her favourite credits include the devised verbatim piece Vent (the Royal Exchange’s Co:Lab festival), the role of Chelsea in two tours of the hard-hitting play Chelsea’s Choice (Alter Ego Creative Solutions) a speaking role in the opera Intermezzo (Garsington Opera) and Danny the Champion of the World (Brentwood Theatre). She has also appeared in short films with Dustfarm, Little Joy Productions and Quickfoot Media. It’s a Dangerous To Know double bill for Elka this month as she will be playing Ellen Turner in their next exciting commission, Theft of a Girl, a live monologue blended with stop motion film for Lyme Park’s “Live at Lyme” event.

 

Sam Redway

Joe Scott / Louis Moore

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Sam Redway is an award-winning Manchester-based actor, theatre-maker and co-Artistic Director of Knaïve Theatre. He trained at RADA on the MA Theatre Lab (2014). He has toured nationally and internationally as Osama Bin Laden in Knaïve Theatre’s multi-international award-winning Bin Laden: The One Man Show. His directing includes Mike Bartlett’s Contractions, A Dead Tree Gives No Shelter (ACE Funded) and OSA. His writing includes co-writing Bin Laden: The One Man Show; a Modern Mystery Play, The Fall; and a libretto for Size Zero Opera, Women Conduct. 

He has performed and devised with many companies nationally and internationally, including: Theatre Ad Infititum, Familia De La Noche, Dangerous to Know, Manchester Camerata, Smoking Apples, Hiccup Theatre and Engine House Productions.

 

Caroline Lamb

Shirley

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Caroline graduated from the Lincoln School of Performing Arts in 2012 and works as a writer, producer and actor. Her performance credits include Gwendolen in the Houldsworth Rep’s The Importance of Being Earnest, Emily Brontë in Dangerous To Know’s The Dissolution of Percy and Jane in Haddon Hall’s Jane Eyre. Writing credits include Dangerous To Know’s The Dissolution of Percy, Theft of a Girl and Shirley.

Caroline is thrilled to be returning to her home town with Shirley!

 

Joe Colgan

Stage Manager

Joseph Colgan is a North West based freelance Company Stage Manager. Alongside working on TV and film projects, he has provided technical support for corporate entertainment events, festivals, theatre and education. In addition to this CSM’ing for national touring productions at venues across the UK and Ireland, recent engagements include OMTC Festival 2017 and filming on City and The City for BBC/Mammoth Films and A Midsummer Night’s Dream with Feelgood Theatre Company.

 

Helen Parry

Director

Helen is a freelance theatre director who originally trained as an actor. She has an extensive body of work ranging from classical plays to new writing with several site-specific projects along the way. She will be teaching at ALRA this term and then is off to Copenhagen in January to direct Caryl Churchill’s A Number for That Theatre Company. Her continued collaboration with Caroline Lamb’s company, Dangerous to Know, excites and inspires!


Shirley Programme

Theft of a Girl

Dangerous To Know has been lucky enough to receive a great commission from Creative Industries Trafford to produce a piece of live art, which will be performed over multiple instances during the 23rd and 24th September 2017. The event is called Live at Lyme, and features multiple pieces and performances being shown at Lyme in Disley throughout the end of September.

Theft of a Girl Publicity

In response to a very exciting brief, we produced Theft of a Girl, a piece featuring a simple and soulful monologue performed by Shirley‘s Elka Lee Green about the abduction of 15 year old heiress Ellen Turner from Pott Shrigley in 1826. The performance will also feature a stop motion film about the events, created by Caroline Lamb and visiting artist Morag Hickman.

There is no further cost above admission to the house to see the piece. Please find further information here.


Theft of a Girl

Jane Eyre at Haddon Hall

A date has been added due popular demand to the June promenade run of Jane Eyre, which takes place at the beautiful Haddon Hall in Derbyshire and stars Dangerous to Know’s Caroline Lamb as Jane!

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Tickets are now available for Saturday 24th June, as performances from 21st-23rd have sold out.

Hurry – get tickets here before they’re gone!

Haddon Hall is a beautiful Tudor Manor with extensions and additions from various later periods, located just outside lovely Bakewell.

Haddon Map

For more information on how to get to Haddon Hall, or for more information, just click here or call the estate office on 01629 812 855.


Jane Eyre at Haddon Hall

Events During Our Hiatus

We’ve been quiet for a little while, but never fear! Dangerous To Know is bubbling away in the background, gradually brewing up our next theatrical offering. In the meantime, however, Caroline has being enjoying involvement in a number of other Northern projects that we’d encourage you all to get behind.

  1. Northern Rep’s A Midsummer Night’s Dream

Rep is back in Manchester after half a century, and this particular company pulls no punches with its inaugural production. This thrilling re-imagining of Shakespeare’s classic fairy-filled-fantasy is unlike anything else. For a taster of what lies in store, take a peak at this write-up in the Manchester Evening News. It’s running in the Great Northern Warehouse for another fortnight, so there’s still time to snap up a ticket if you’re quick.

BOOK FOR A MIDSUMMER NIGHT’S DREAM HERE

 

  1. Jane Eyre at Haddon Hall

A location for the stunning 2011 Jane Eyre starring Michael Fassbender, Haddon Hall is a grand and glorious property near Bakewell in Derbyshire. This summer, the hall is playing host to a wonderful promenade theatre adaptation of Charlotte Brontë’s novel, and Caroline is thrilled to be playing Jane on 20th, 21st and 22nd June 2017! These performances are preceded by a glass of Prosecco per person, and the evening is rounded off with a gorgeous three-course meal.

BOOK FOR JANE EYRE HERE

 

  1. Exploring the Brontës

Caroline will continue her collaboration with poet and fellow Brontë enthusiast Simon Zonenblick of Caterpillar Poetry with evening events later in the year. In equal parts an enlightening talk on the area’s connections with the Brontë family and a lively reading of extracts of the family’s work, followed by an intimate theatrical performance entitled The Cold Plunge, Caroline and Simon will be joining forces with local artists and musicians in various locations throughout the North. Keep checking our website, or follow us on Twitter or Facebook for further information about the next event.

 


Events During Our Hiatus

Feedback!

Well, now that we’re just about ready to send a summary of our activities over the last few months whizzing back to the Arts Council, we thought we’d share with you a few choice comments from our audience feedback forms. We’re not big-headed, we just appreciate that our audiences have excellent taste!

“A very well written, well produced and well performed piece.”

“Very professional and very enjoyable.”

“We loved it! Beautiful.”

“Sam Redway’s performance of Branwell was superb – he did “drunk” very well indeed. I particularly liked Caroline Lamb’s Emily, stomping on set in search of powder for her musket.”

“Fantastic. Brilliantly written. Moving.”

“Totally absorbing!”

“Exceptional performance from all – well written and acted. Tears and laughter – well done!”

“A detailed and honest performance with a multitude of emotions portrayed. A beautiful insight into the lives of such a notable literary family, the sorrow and hardships behind the brilliance!”

“Original and dynamic storytelling. Beautifully written and acted. Thanks.”

“A terrific play, actors & script. More please!”

“Brilliant play. I look forward to more.”

Congratulations to Team Percy for achieving these brilliant results, and many thanks to our audiences for your overwhelming support! In response to those calls for more, do keep an eye on this site, along with our Twitter account (@DTKManc) and our Facebook page (www.facebook.com/DangerousToKnow) as the New Year will bring new opportunities for us, and new ways for you to get involved!

Thank you all once again. Happy Holidays, and we’ll see you next year!

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Feedback!