A Few Big Days

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(Images courtesy of Ian Howard)

There’s been a flurry of activity over the last couple of weeks, despite the fact that the production itself won’t launch until November! The cast all met at Contact on Oxford Road on 15th April for our first table-reading of the revised script, which ran to just under two hours. It was also a chance to meet our new director, Helen Parry, and discuss what was to come. Everyone left very tired but extremely enthused about the coming months. A few months previously, after seeing an invitation on Facebook, producer Caroline leapt at the chance to sign the whole company up to a mysterious foray into the unknown wilderness of the Yorkshire Moors, to assist Ian, the man behind Wuthering Hikes, and Oliver of gVisions media in the filming of an Ask The Locals documentary about the locations that inspired the Brontës. See the trailer below!

The day started with a bit of an honour – we met at the Black Bull pub, where the staff kindly brought down the chair that is reputed to have been Branwell Brontë’s favourite. Still in visibly good nick but apparently rather fragile-feeling when sat on, the cast and crew of the shoot were allowed to use it for a brief few moments before it was whisked away again (see the shots of “Branwell” in front of the stained glass window in the video above.)

We shot a scene in the pub, then were whisked along a winding road to the reservoir and up past Ponden Hall, the grand house the young Brontës used to visit, home to a well-stocked library that they famously used. Up and up we went, scrambling up jagged stone steps and over boggy moorland for what seemed like millions of miles to those who are used to the uninspiring grey concrete of Manchester. But what a reward! The scenery was utterly stunning, and Oliver, who was operating the camera, captured some absolutely gorgeous pieces of footage in a location that was like no other on earth.

We shot a further scene at the Alcomden stones, near to the site of a near-disastrous bog-burst that almost claimed the lives of the young Brontës, then wandered back down via the fairy cave (see the clip of the three women in the video above) and past Ponden Hall again, where the residents kindly granted the crew permission to film a couple of scenes in the garden. With aching legs and buzzing spirits, the company headed back into Haworth, where we enjoyed a delicious meal and a cheeky drink at The Fleece Inn, then set off for home. We’re now eagerly awaiting the release date of the documentary, which, we’re told, will organically develop with each shoot, but will focus on some unusual secrets hidden around the moors that may suggest Druid activity in Haworth at the time, as well as elements of the Brontës books that may cryptically hint towards Masonic inspiration. Keep an eye on gVisions media for more! As a final update, the company’s funding bid has now whizzed off to the Arts Council, complete with superb supporting documents provided by The Brontë Parsonage Museum, Bradford City Council, Salford Community Leisure and Two Yolks Theatre as well as the lovely feedback we received from our sharing in January. Here’s hoping!


A Few Big Days

The Paperwork

No one likes forms. Whatever your profession or aspiration, filling in forms to get where you wish to be can often prove to be the first stumbling block. How can you sell your product within a word count? How can you quantify your venture’s quality using only tick-boxes? If you’re relying on the outcome of this application to ensure that you can move forward in any way, how can you give a time-frame, confirm participants or predict an income? But there have to be parameters applied if the potential of your project is to be judged.

What I’m trying to say right now is that Dangerous To Know’s Grants For The Arts bid is currently sitting in my online account, waiting to go. All I’m waiting for is a few pieces of supporting material to attach, and off it goes. It’s been critiqued once, and it’s due to go back under the microscope a second time. All costs and details have been researched. It’s looking pretty good. After it goes, there’ll be an agonizing wait of three weeks or more. There’s always the likelihood that it’ll be turned down. BUT it’s in great shape, and that’s the best we can say for it for now.

Wish us luck!


The Paperwork

Work in development: The Dissolution of Percy

Branwell has tried and tried and tried. He has missed his calling and his genius has faded. He drinks too much, maybe, and can’t quite shake himself free from his own imagination. But he still has Lydia.

Lydia has had enough. Gnawed by loneliness and physical frustration, immobilized by her station, companionship and release must be had, and soon. An afternoon or two in the company of her son’s young tutor might be enough.

Charlotte has a plan. Her younger sister stays up late into the night, hunched over papers. If this is what she thinks it is, something might be beginning. But perhaps it is of no importance.

A searing critical exploration of the cruel gender politics that destroyed a man, made a villain of his lover and chained his sisters to a life they despised, The Dissolution of Percy tackles the controversial events surrounding the final few years in the life of Branwell Brontë. Reflecting on our surprising lack of moral evolution between the nineteenth century and the modern day, the play plunges its audience into a world balanced in stark counterpoint between high, violent passions, steady, grim pragmatism and gallows humour.


Work in development: The Dissolution of Percy

Responses to The Dissolution of Percy sharing, January 2015

“It’s rare that a costumed, fully staged rehearsed reading with such a reliance on the use of props can be successful, but nothing seemed to hinder the production and it was exceptionally smooth.”

“The use of language was subtly balanced to believably represent the manner of speaking in the 19th century while still proving accessible and emotive for a modern audience.”

“Themes explored were highly topical and sensitively approached, with a focus on both the masculine and feminine angles and benefits of gender equality.”

“The acting was of a uniformly high standard.”

“I thought the production was excellent; it really kept my attention. I thoroughly enjoyed it. Well done to all the cast.”

“It was an excellent taster. I know a lot had to be cut out to get the production into the time limit allowed, but it really would benefit from being shown in full; this one deserves it. The acting was of a very high standard. The scene setting was minimal and effective, and changes were efficiently swift. Well done to everyone involved.”

“The “pub scene” was very VERY good and, I think, achieved the difficult requirement of injecting some light relief at the same time as moving the narrative on and continuing to track Branwell’s dissolution; the scene was very funny and was well-appreciated by the audience.”

“When writer and performer are ad idem with each other, as they were here, it truly makes for a formidable partnership.”

“The writer has a particular talent for dialogue and comedy, as well as melodrama, and the way the action was constructed and moved along is exemplary. Great skill is also shown when it comes to characterisation – the subtle (and occasionally not-so-subtle!) differences in character between the three sisters were impressive.”

“I was gripped throughout and fascinated by the story of Branwell, whilst being offered honest glimpses into the beginnings of the Brontë sisters’ literary fame. Caroline Lamb’s attention to detail and in depth consideration of the character relationships is astounding, and her script came alive with the help of honest and empathetic portrayals by the actors.”


Responses to The Dissolution of Percy sharing, January 2015

Welcome to our brand new site!

After the fantastic response to our sharing of The Dissolution of Percy in January 2015, Dangerous To Know is beginning our first major challenge as a theatre company. With the help and support of numerous organizations throughout the North West, Percy is being revised and developed in preparation for production in its fully-fledged form this Autumn. If you missed it the first time around, take a look at the images in our Gallery!

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Welcome to our brand new site!